Lyrics: Diamonds are forever, They are all I need to please me, They can stimulate and tease me, They won't leave in the night, I've no fear that they might desert me. Diamonds are forever, Hold one up and then caress it, Touch it, stroke it and undress it, I can see every part, Nothing hides in the heart to hurt me. I don't need love, For what good will love do me? Diamonds never lie to me, For when love's gone, They'll luster on. Diamonds are forever, Sparkling round my little finger. Unlike men, the diamonds linger; Men are mere mortals who Are not worth going to your grave for. I don't need love, For what good will love do me?
Diamonds never lie to me, For when love's gone, They'll luster on. Diamonds are forever, forever, forever. Diamonds are forever, forever, forever. Forever and ever.
. 'Diamonds Are Forever' Released: 1971 Professional ratings Review scores Source Rating Diamonds Are Forever is the soundtrack by for the seventh James Bond.
'Diamonds Are Forever', the title song with lyrics by, was the second Bond theme to be performed by, after '. The song was also recorded in Italian by Bassey as 'Una Cascata di Diamanti (Vivo Di Diamanti)'; this version was only issued on 7-inch single in Italy, and was intended to be included in a (cancelled) 3-CD box set titled Shirley released in 2012. Intel gma 945 driver download. Producer hated the song and it only made the film due to co-producer. One of Saltzman's major objections was to the innuendo in the lyrics. Bassey would later return for a third performance for 1979's. Contents.
Track listing Tracks 13-21 were not released on the original soundtrack. 'Diamonds Are Forever (Main Title)' – sung by. 'Bond Meets Bambi and Thumper'. 'Moon Buggy Ride'. 'Circus, Circus'. 'Death at the Whyte House'.
'Diamonds Are Forever (Source Instrumental)'. 'Diamonds Are Forever (Bond and Tiffany)'. 'Bond Smells a Rat'. 'Tiffany Case'. '007 and Counting'. 'Q's Trick'. 'To Hell with Blofeld'.
'Gunbarrel and Manhunt'. 'Mr. Kidd/Bond to Holland'. 'Peter Franks'. 'Airport Source/On the Road'. 'Slumber, Inc.' .
'The Whyte House'. 'Plenty, Then Tiffany'. 'Following the Diamonds'.
'Additional and Alternate Cues'.
James Bond's mission is to find out who has been smuggling diamonds, which are not re-appearing. He adopts another identity in the form of Peter Franks. He joins up with Tiffany Case, and acts as if he is smuggling the diamonds, but everyone is hungry for these diamonds. He also has to avoid Mr.
Kidd, the dangerous couple who do not leave anyone in their way. Ernst Stavro Blofeld isn't out of the question. He may have changed his looks, but is he linked with the heist? And if he is, can Bond finally defeat his ultimate enemy.
Trivia The climax was different in the original script. Wint and Kidd, disguised as waiters, bring a trolley of food to Bond and Tiffany's cabin, then send Bond to the ship's radio room where a message from Willard Whyte is apparently waiting for him. There, an operator assured Bond that no such message has been received. Meanwhile, Tiffany has been bound and gagged and tied to the bed.
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The killers have rigged up a 'sizzling pot of boiling oil, attached by rope' over the bed and then to the door handle. Gate closers. When Bond opens the door, the slack created will cause the boiling oil to pour over Tiffany ('Perfect. It's Romeo and Juliet', says Wint closing the door. He sees Kidd start to cry.
Diamonds Are Forever Soundtrack Lp
'I just can't stand these unhappy endings', wails Kidd). Bond frees Tiffany after climbing through the cabin's porthole. While Kidd's death is the same as in the final film, Wint gets the boiling oil thrown in his face and is then impaled on the sharp end of an ice sculpture on the trolley. In 1967 Sean Connery quits the role of James Bond. Producers replace him with Australian born George Lazenby, who makes 'On Her Majesty Secret Service'. This film does reasonably well at the box office, but not as well as the previous episodes. Furthermore, a big part of the audiences and many critics savage Lazenby's performance, rather pale compared to Connery's Bond portrait.
'OHMSS' has been revalued since, but at the time of the release it's perceived like a disappointment. In '71 producers hire American actor John Gavin for 'Diamonds are forever' (DAF), but at the very last minute Sean Connery decides to come back to the role for one time only. The film is a kind of remake of 'Goldfinger' -there is Sean, of course; director Guy Hamilton; Shirley Bassey sings the theme; the story takes place in America; here too we have glamorous elements (diamonds instead of gold). The movie is funny, Sean looks amused and quite relaxed in traveling between Amsterdam and Las Vegas to investigate about a diamond illegal traffic. Nevertheless it's the 'worst' of his Bonds. It's his less interesting outing as 007. When we think about him as Bond we think about the episodes of the Sixties, when the series was at its beginning.
'Diamonds' has not the classical atmosphere of 'Goldfinger' and 'Thunderball' -the rhythm of DAF is not constant, there are also too many jokes, and a more American humor of the movie spoils the 'Britishness' of 007. The first part of the film is boring, the second half has more action -although the final battle scene is not very well done. Sean is Sean, but here he looks older than his age -curiously he looks fitter and more charming in 'Never say never again', an 'unofficial' Bond done 12 years later! By the way his presence in this film saves the show completely and a good entertainment is guaranteed.
Has undergone a somewhat less significant though thoroughly pleasing expansion with the February 2003 release of the remastered, expanded version. Still mid-priced, the disc features 24 additional minutes of music from the completed film - included is 'Gunbarrel and Manhunt,' alternating between original music and 's variations on Monty Norman's 'James Bond Theme,' and the musical accompaniment to various key action scenes, as well as some playful romantic scoring for some of Sean Connery's romantic activities.
The main virtue is the improved sound (which greatly benefits 's finely nuanced performance of the title song) on what was an entertaining and distinctive, if not terribly creative or ambitious score, a somewhat closer relative to 's work on Goldfinger and to the exoticism of You Only Live Twice or the bold, near-symphonic scope of On Her Majesty's Secret Service. The annotation is reasonably thorough, although on this occasion it focuses far more on the movie than on the music.
Product Description: Original score composed by John Barry. John Barry made his reputation with highly enjoyable and sophisticated soundtracks for early James Bond pictures, including From Russian With Love, Thunderball, and 1971's Diamonds Are Forever. Like many Bond soundtracks, Diamonds Are Forever features a dynamic mix of brass-heavy orchestral numbers, reconfigurations of the original Bond theme, dreamy ballads, and a celebrity vocal performance of the title track.
Following up her 'Goldfinger' hit, singer Shirley Bassey returns here with another bravura performance on the 'Diamonds Are Forever' theme; although not as memorable as Bassey's earlier classic, the song still impresses with a catchy mix of rock elements (wah-wah guitar, electric bass, 4/4 beat) and full orchestration. And as is the fashion with soundtracks, this main title is recycled more than once - in this instance, as both a flute-and-vibes lounge cut and as part of a darkly lush string arrangement.
Along with easy listening, Henry Mancini-inspired cuts like 'Tiffany Case,' and 'Q's Trick,' Barry also gives a nod to Max Steiner's clamorous soundtracks with suspense and action backdrops like 'Bond Smells a Rat' and 'To Hell With Blofield.' And the Bond theme gets its due on the noir-ish, cat burglar motif 'Bond Meets Bambi and Thumper.' With equally stunning pieces like the romantic waltz 'Circus, Circus' topping things off, Diamonds Are Forever qualifies as one of Barry's most gratifying Bond soundtracks. Stephen Cook Recorded at CTS Studios, London, England in October 1971. Includes liner notes by Jeff Bond. Average Rating: (0) (0) Better Since they added sound tracks not released in the earlier cd the album is complete.
Best Bond sound track of all bond movies By (Charlotte hall, Maryland, USA) (0) (0) one of Barry's best Outstanding. Getting the complete version of 'Slumber, Inc.' Is justification enough for buying this soundtrack masterwork.it's arguably one of the most beautiful - and astoundingly terrifying (especially if you've seen the movie) - pieces that Mr. Barry's ever composed. But there's so much more: the other 8 tracks that are new to this release; the outstanding title song sung by Shirley Bassey; the reprise of the 'space march' compositions from 'You Only Live Twice' heard in '007 And Counting' (with an excellent key change).and so much more. It's not my favorite of the Bond films, but John Barry's soundtrack has a lot to do with why it's one of them. Highly recommended.
By a reviewer (River Edge, New Jersey) (0) (0).
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